Tag: Member Profile

Meet the Team of FOLLIES – Phil Kreisel is the Stage Manager!

Phil Kreisel Profile pictureWhat is your role on this production? I am the stage manager for this production. There are multiple tasks associated with this role, but there are 2 main ones that I’ll touch on here. The first is to call all the sound and light cues associated with helping to make the show the spectacle that it will be. The second is to ensure that everyone onstage (and backstage) is accounted for prior to the start of the show.

What is your background in theatre? At Walterdale? I have been involved with theatre since 2000, when my son (who was acting regularly at the time) dared me to perform. Since then, I’ve primarily done sound design (almost 80 shows and counting so far), but I’ve also written plays, directed, stage managed, and occasionally acted as well. My involvement at Walterdale started in 2004, and is an ongoing adventure.

What brought you out for this production? Why did you want to be involved in this show? I was approached by both the director and production manager to stage manage this show. Barb and I go way back (12 years), and while I’d never stage-managed for her before, I do love musicals, so I thought it would be fun to do.

This show is about theatre and nostalgia – got any good theatre stories? I have tons of theatre stories, as each show has its own funny moments or quirks, which is one of the great joys I love about doing theatre. One of the great theatre stories I have is associated with Walterdale’s production of Sweet Charity back in 2005. I thought that it would be a good visual joke for Gerald Mason’s character (as a dirty old man) to open up a Playboy centerfold during the subway scene in the show, whereby one of the female actors would get offended and hit him over the head with her purse. I ended up changing the centerfold every night, so Gerald would always be surprised when he did the gag. The centerfolds were primarily weird pictures of cast members (usually the men in drag). We did 12 shows, hence a year’s worth of centerfolds, which I later turned into a souvenir calendar.

What has been the most challenging part of doing the show? It’s coming up, when I’ll be calling the show. It’s live theatre, so anything unexpected can happen, so I may have to get creative in a hurry. More importantly, a pleasurable challenge is to ensure that everyone involved is both being professional as well as having a good time being part of the show.

What has been the best thing about doing the show? Two things actually: First, having the privilege to watch the wonderful cast performing during every rehearsal (and of course, nightly once the show is officially mounted). Second: renewing old friendships as well as establishing new ones through the evolution of the show. If one can’t have a good time doing the show (including all the prep work), what’s the point of being there (but that’s just my opinion).

Meet the Team of FOLLIES – Barb Mah is the Director/Co-choreographer

14292308_10153965500905829_7246918061394677836_nWhat is your role on this production? I am the director/co-choreographer. 

What is your background in theatre? At Walterdale? I have directed, acted and choreographed for a number of community theatres in Edmonton. For Walterdale, I have directed Sweet Charity and Anything Goes. I have choreographed numbers for Blood Brothers, A Day In Hollywood, Best Little Whorehouse in Texas, The Boyfriend (and I can’t think of anymore). I’ve had a play produced for the play development program (as it was then called) where I was mentored by Vern Thiessen. 

Why did you choose this play to direct? I love Sondheim’s work. I’m drawn to complex characters and situations. There’s nothing like middle aged angst to provide a backdrop for drama. The show is also funny in many place. Also: tap dance. I cannot resist tap dance.

This show is about theatre and nostalgia – got any good theatre stories? Talk about nostalgia – I was involved in a workshop production of this show almost 30 years ago. Talk about full circle. As for good theatre stories, catch me for a coffee sometime – I have many that are unprintable.

What has been the most challenging part of doing the show? Although the show is quite firmly grounded in “reality”, there is a large fantasy element. It is a challenge to tie the two together so that it makes sense to an audience.

What has been the best thing about doing the show? Meeting new people. The sense of camaraderie that is created when a cast works together

Follies runs from July 5-15th, 2017. Call 780.420.1757 or go to www.tixonthesquare.ca for tickets today!

Meet the Cast of FROM CRADLE TO STAGE 2017 – Miranda Broumas is Guenevere in GUENEVERE

1047556What is your role in this production? I’m playing Guenevere, who’s a spirited and yearning young lady. Despite her affairs with Lancelot, she remains a dutiful partner to King Arthur. Their marriage is founded in a very admirable friendship and professional respect. Arthur values her insight and opinions, which is a refreshing dynamic between a man and a woman given the attitude and treatment toward women during the time period in which the show is set. Overall, Guenevere is a bold and noble queen who, in her own way, is always striving to protect the kingdom, promote peace, and preserve Arthur’s reputation. In many ways, she’s beyond her years. She can come across as introspective and strong, but has momentary lapses of naivete. Regardless of which side she’s putting forward, she is inherently opinionated and punctilious. She listens when the time is right, and takes charge when she feels she should.

What is your background in theatre? At Walterdale? I took drama and oral communication classes from junior high through post-secondary, and was a professional and competitive dancer for fifteen years. In 2013, I retired from dance to focus my extracurricular efforts on theatre. Recent credits include Lucy in Raine (New Works Festival 2016), Cunningham in The Last Days of Judas Iscariot (University of Alberta), Dawn in Seven Lost Minutes (35th Annual Edmonton Fringe Festival) and Lady Windermere in Lady Windermere’s Fan (Walterdale Theatre). This is my first role of 2017 and my second production at Walterdale.

What brought you out for this production? I’ve long admired the work of our director, Eric Smith, and jumped at the opportunity to audition for one of his productions. Once I had a chance to review the script, I was immensely intrigued. I’ve never worked on a such a poetic show before, so I was excited to try something new. I also felt somewhat obligated to audition for a Greek tragedy since my father hails from Nafpaktos.
What do you hope audiences will take away from the show? Why do you think they should come see it? From playwrights and painters to actors and dancers, it’s always important to support local artists, and From Cradle to Stage is a great way to do that. John Richardson has written a delightful rendition of a well-known tale that I think audiences will enjoy. I’m especially impressed by the depth of emotion the show covers in just sixty minutes.

What has been the most challenging thing about doing this show? The most enjoyable thing? The most enjoyable part has been getting to know the cast and crew on both professional and personal levels. The rehearsal process was a great balance of silly and serious, and resulted in a close-knit cast presenting a very unique and heartfelt show.

Meet the Cast of FROM CRADLE TO STAGE 2017 – Anglia Redding is Victoria in PORTRAIT OF A FAMILY DINNER

Anglia Redding - Guest Poster

What is your role in this production? My role is twofold in this production: I play Victoria in the production and I’m the Co-Director of Publicity for Walterdale. In my role as Co-Director, I write press releases, contact local reviewers, set up interviews, and make sure the word about the show gets out so people will come and see it! Victoria is a bit of a puzzle. She is the perfect wife and mother, but she has many secrets she needs to keep hidden. She would do just about anything to protect her family.

What is your background in theatre? At Walterdale? I graduated from Keyano College with a diploma in Visual and Performing Arts program located in Fort McMurray. I acted in a few shows on the Keyano main stage, including Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean and Les Belles Soeurs. I’ve been involved in stage-managing a few productions like Death Comes to Auntie Norma (Lucky Wench Productions) and Jesus Master Builder (Walk on Water Productions). I’ve also stage-managed for Gerald Osborn at ADFA’s Stage Struck for the past few years, which has been a real treat. Since 2012, I’ve been volunteering at Walterdale in various roles, including assistant stage manager and lighting operator. I’ve really found my niche as a stage manager, which suits my bossiness to a T.

What brought you out for this production? Since acting seems to be in my blood (despite my love for stage-managing), I love to come out and audition for Walterdale shows. It’s awesome to get to meet different directors and hear about their vision. Even if I don’t get a part, I never feel rejected because of the feeling of community Walterdale projects. I always feel like I’m coming home.

What do you hope audiences will take away from the show? Why do you think they should come see it? I hope audiences will see that not every family is perfect; we all have secrets and skeletons in the closest. Some laughs would also be nice! Audiences should come and see it because it’s a great way to spend an evening while supporting local playwrights. What not to like?

What has been the most challenging thing about doing this show? The best thing? It’s been 17 years since I was onstage last, so remembering how to learn my lines was a bit of a struggle. I used to know all the tips and tricks, but things have changed so much! Imagine my surprise when I found out there were apps I could use to help me. Back in my day, you just sat with your script and repeated the lines until they were in there (shakes fist at young people).

I’d have to say the best thing has been getting back onstage. Stage-managing and acting can be quite varied in responsibilities and duties. It’s a whole different world under the lights than it is hiding in the booth!

Meet the Cast of From Cradle to Stage 2017 – Erin Forwick-Whalley is Chorus #1 in Guenevere

Erin Forwick-WhalleyWhat is your role in this production? I am playing the role of Chorus #1, also known as Mama Nun!  (We made up nicknames for all of the nuns because we have no names in the play.)  I am the Abbess, which is like the head nun, so feel a great obligation to guide the younger nuns under my tutelage.  
What is your background in theatre? At Walterdale? I am an elementary teacher, so really I perform everyday on the stage I call my classroom!  I also sing in a choir, and every year we put on a Broadway show, so I’ve had opportunities to act in those.  My favorite role so far has been Mme. Thenardier in Les Mis!  I first auditioned for a play in 2013, and received a challenging role in the play Marion Bridge by Daniel MacIvor (Horizon Players).  Having never been in this type of production before, it was trial by fire for me, and I learned so much from the ever patient director, cast mates, and crew!  This is my second role at Walterdale, having last done And Then The Lights Went Out by Andy Garland in 2014.
What has been the most challenging thing about doing this show? The most enjoyable thing? The thing I find most amazing and enjoyable about theatre is how quickly a cast/crew can bond, because we spend so much time together and because we are forced to be vulnerable and have trust that we will be accepted.  I have fallen in love with every team I’ve been a part of, and this one is definitely no different!  The most challenging part for me will be when we go our separate ways at the end of the run.

Meet the Team for From Cradle to Stage 2017 – Laura Ly is Director of PORTRAIT OF A FAMILY DINNER

Laura 1What is your role on this production? I’m direct Portrait of a Family Dinner. It mostly involves working with an awesome cast and a great production team, and doing my best to steer things in the right direction.

What is your background in theatre? At Walterdale? This is my first play at the Walterdale. I am relatively new to the production side of theatre; however, I am very familiar with being an audience member and appreciating it from the other side.
What brought you out for this production? My friend Bethany burst into my office one day at work and asked if I would be interested in directing a one-act play. A few hours later, I was signed up to direct Portrait. I’ll admit that it probably took me a few weeks to fully realize exactly what I signed up for, but I’m so glad that I did.
What do you hope audiences will take away from the show? I hope that audiences walk away thoroughly enjoying themselves and marvelling at being able to witness the unveiling of a never-before-seen piece of art. They should come see it because Edmonton has some very talented playwrights, who are trying some very cool things, and they don’t want to be the only ones missing out. I don’t want to bully anyone, but c’mon, all the cool kids are coming out to From Cradle to Stage, and do you really want to be the person who missed out?!
 What has been the most best thing about doing this show? It may sound super cliche, but I truly love the cast and crew of Portrait. I have enjoyed spending time with the cast, and have learned so much from the production crew over the past few months.

Meet the Cast of Guenevere – Derek Kaye is Lancelot!

HeadshotWhat is your role in this production? I’m playing the role of Lancelot. He is Guenevere’s lover and King Arthur’s right hand man. He’s a man of honor, brave, and fiercely loyal. The love he has for  both Guenevere and Arthur is deeply rooted and cherished.
What is your background in theatre? At Walterdale? I’ve loved doing theatre since I was a kid and this is my second show at the Walterdale, my first being A Man of No Importance. It was so much fun and I met so many great people in that production that when I saw Eric Smith was directing this show I said that myself “that’s going to be another fun ride” and here we are!

What do you think audiences will take away from this show? This is such a unique show for the reason that it’s an original Greek tragedy which is a format that isn’t seen very often in modern-day theatre, and the themes that are presented are as true in our lives nowadays as they always were. I hope that the audience connects with these characters like we all have and takes the emotional journey with us.

What has bee your biggest challenge? A challenge that I’ve had to face doing this show is not dying from laughter! The material is heavy emotionally so to be able to laugh and have fun is important and we have had that in droves! Also playing with swords and pretending to fight people; hello, six year old Derek, you don’t ever have to grow up!

Meet the Cast of LADY WINDERMERE’S FAN – Miranda Broumas is Lady Windermere

1047556Who are you and what is your role in Lady Windermere’s Fan? My name is Miranda Broumas, and I’m playing Lady Windermere.

What is your background in theatre? At Walterdale? I took drama, advanced acting, and oral communication classes from junior high through post-secondary. In 2013, I retired from competitive and professional dance to focus my extracurricular efforts on theatre. 2016 roles include Lucy in Raine (New Works Festival 2016), Cunningham in The Last Days of Judas Iscariot (University of Alberta), and Dawn in Seven Lost Minutes (35th Annual Edmonton Fringe Festival). Lady Windermere’s Fan will be my first production at Walterdale Theatre.

What brought you out for this show? Why did you want to be a part of it? I’m a big fan of Oscar Wilde, a major nerd for Victorian literature, and I liked the challenge of learning a proper English accent. Lady Windermere is also a rather interesting character to play. She and I share distaste for egocentric and smug people, but we differ in that she holds very black-and-white views. Personal growth and maturity entail learning at least some level of elasticity, and it’s really fun to navigate that journey with her.

Why should audiences check out the show? Lady Windermere’s Fan brilliantly juxtaposes the amusing and the serious, putting a comedic and melodramatic twist on themes that everyone can relate to. If you’ve ever felt pressure to uphold reputation, save face, or create the illusion that everything is fine when it really isn’t; if you’ve ever witnessed hypocrisy, felt burdened by social mores and conformity, or faced social ostracism at school or work; if you’ve ever withheld information to protect someone you love, or experienced the joyous complexity of family and romantic relationships, then you’ll surely identify with a character or two. Plus, it’s written by Oscar Wilde…how could you miss it?

What has been the most fun part of working on the show? Among a host of other aspects, like our fantastic team, I’d say the costumes are a pretty fun part of the show. The play takes place at a time in history when manners and mannerisms were held to the highest standard – when folks scrutinized over every minute detail of their posture, breath, and physical interactions with others. When the ladies started rehearsing in corsets, long trains and character shoes, you could really see life breathed into our characters (while the oxygen was simultaneously pushed out of our lungs) – everybody’s spines straightened and upper lips stiffened just a bit more. It’s also pretty entertaining to see the gentlemen commit to period-appropriate facial hair.

Favourite Oscar Wilde quote: “Some cause happiness wherever they go; others whenever they go.”

Meet the Cast of LADY WINDERMERE’S FAN – Craig Sephton is Mr. Hopper

Meet the Team of LADY WINDERMERE’S FAN – Martin Stout is the Director!

martin-stoutWho are you and what is your role on this production? Martin Stout – Director

What is your background in theatre? At Walterdale? I have no formal drama training at all, but lots of experience. I was variously actor, producer and director with Beaumont Drama Society in dozens of shows over fifteen years. The highlight was performing in The Mikado as Lord High Executioner at the Winspear.  At Walterdale I had roles in The Country Wife, The Taming of the Shrew & Blithe Spirit and I was Assistant Director on Ravenscroft.

Why did you want to direct this show? It’s not only Oscar Wilde’s wittiest play but also his most biting social satire. And, I can resist everything except costume drama. I wanted to fill the stage with beautiful ladies in corsets and dashing gentlemen in tailcoats, and then revel in their epigrammatic interplay.

Why do you think audiences should come and see this show? We have an immensely talented cast, wearing beautiful costumes, performing a theatrical classic on a fantastic set! So it will be gorgeous to look at and scintillating to listen to. It should certainly enthrall anybody who enjoyed “Downton Abbey”, “Sherlock Holmes” or even “Poldark”. But it is not often performed, so this may be your only chance to see it for a long time.

What has been the most fun so far working on the show?  The best part for me is watching my actors take written words from a page and breathe life into them, to create really believable characters. As part of that, we had a lot of fun doing a workshop with Barb Mah on manners, deportment and dance. The cast were gradually transformed into Lords and Ladies from 1892.

The most challenging thing? The biggest challenge has been to create a set that can be rapidly changed from Lady Windermere’s rooms to Lord Darlington’s chambers and then back again within the constraints of space, time and budget. Luckily I had the marvellous talents of my designer, builder and painter, who have more than risen to the challenge and created a fabulous evocation of two grand Victorian interiors. Now I’m looking forward to lighting it.

What is your favorite Oscar Wilde quote? “…there is only one thing in the world worse than being talked about, and that is not being talked about.” – The Picture of Dorian Gray