Meet the Cast of FROM CRADLE TO STAGE 2017 – Miranda Broumas is Guenevere in GUENEVERE

1047556What is your role in this production? I’m playing Guenevere, who’s a spirited and yearning young lady. Despite her affairs with Lancelot, she remains a dutiful partner to King Arthur. Their marriage is founded in a very admirable friendship and professional respect. Arthur values her insight and opinions, which is a refreshing dynamic between a man and a woman given the attitude and treatment toward women during the time period in which the show is set. Overall, Guenevere is a bold and noble queen who, in her own way, is always striving to protect the kingdom, promote peace, and preserve Arthur’s reputation. In many ways, she’s beyond her years. She can come across as introspective and strong, but has momentary lapses of naivete. Regardless of which side she’s putting forward, she is inherently opinionated and punctilious. She listens when the time is right, and takes charge when she feels she should.

What is your background in theatre? At Walterdale? I took drama and oral communication classes from junior high through post-secondary, and was a professional and competitive dancer for fifteen years. In 2013, I retired from dance to focus my extracurricular efforts on theatre. Recent credits include Lucy in Raine (New Works Festival 2016), Cunningham in The Last Days of Judas Iscariot (University of Alberta), Dawn in Seven Lost Minutes (35th Annual Edmonton Fringe Festival) and Lady Windermere in Lady Windermere’s Fan (Walterdale Theatre). This is my first role of 2017 and my second production at Walterdale.

What brought you out for this production? I’ve long admired the work of our director, Eric Smith, and jumped at the opportunity to audition for one of his productions. Once I had a chance to review the script, I was immensely intrigued. I’ve never worked on a such a poetic show before, so I was excited to try something new. I also felt somewhat obligated to audition for a Greek tragedy since my father hails from Nafpaktos.
What do you hope audiences will take away from the show? Why do you think they should come see it? From playwrights and painters to actors and dancers, it’s always important to support local artists, and From Cradle to Stage is a great way to do that. John Richardson has written a delightful rendition of a well-known tale that I think audiences will enjoy. I’m especially impressed by the depth of emotion the show covers in just sixty minutes.

What has been the most challenging thing about doing this show? The most enjoyable thing?
The most enjoyable part has been getting to know the cast and crew on both professional and personal levels. The rehearsal process was a great balance of silly and serious, and resulted in a close-knit cast presenting a very unique and heartfelt show.

Meet the Cast of FROM CRADLE TO STAGE 2017 – Anglia Redding is Victoria in PORTRAIT OF A FAMILY DINNER

Anglia Redding - Guest Poster

What is your role in this production? My role is twofold in this production: I play Victoria in the production and I’m the Co-Director of Publicity for Walterdale. In my role as Co-Director, I write press releases, contact local reviewers, set up interviews, and make sure the word about the show gets out so people will come and see it! Victoria is a bit of a puzzle. She is the perfect wife and mother, but she has many secrets she needs to keep hidden. She would do just about anything to protect her family.

What is your background in theatre? At Walterdale? I graduated from Keyano College with a diploma in Visual and Performing Arts program located in Fort McMurray. I acted in a few shows on the Keyano main stage, including Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean and Les Belles Soeurs. I’ve been involved in stage-managing a few productions like Death Comes to Auntie Norma (Lucky Wench Productions) and Jesus Master Builder (Walk on Water Productions). I’ve also stage-managed for Gerald Osborn at ADFA’s Stage Struck for the past few years, which has been a real treat. Since 2012, I’ve been volunteering at Walterdale in various roles, including assistant stage manager and lighting operator. I’ve really found my niche as a stage manager, which suits my bossiness to a T.

What brought you out for this production? Since acting seems to be in my blood (despite my love for stage-managing), I love to come out and audition for Walterdale shows. It’s awesome to get to meet different directors and hear about their vision. Even if I don’t get a part, I never feel rejected because of the feeling of community Walterdale projects. I always feel like I’m coming home.

What do you hope audiences will take away from the show? Why do you think they should come see it? I hope audiences will see that not every family is perfect; we all have secrets and skeletons in the closest. Some laughs would also be nice! Audiences should come and see it because it’s a great way to spend an evening while supporting local playwrights. What not to like?

What has been the most challenging thing about doing this show? The best thing? It’s been 17 years since I was onstage last, so remembering how to learn my lines was a bit of a struggle. I used to know all the tips and tricks, but things have changed so much! Imagine my surprise when I found out there were apps I could use to help me. Back in my day, you just sat with your script and repeated the lines until they were in there (shakes fist at young people).

I’d have to say the best thing has been getting back onstage. Stage-managing and acting can be quite varied in responsibilities and duties. It’s a whole different world under the lights than it is hiding in the booth!

Meet the Cast of From Cradle to Stage 2017 – Erin Forwick-Whalley is Chorus #1 in Guenevere

Erin Forwick-WhalleyWhat is your role in this production? I am playing the role of Chorus #1, also known as Mama Nun!  (We made up nicknames for all of the nuns because we have no names in the play.)  I am the Abbess, which is like the head nun, so feel a great obligation to guide the younger nuns under my tutelage.  
What is your background in theatre? At Walterdale? I am an elementary teacher, so really I perform everyday on the stage I call my classroom!  I also sing in a choir, and every year we put on a Broadway show, so I’ve had opportunities to act in those.  My favorite role so far has been Mme. Thenardier in Les Mis!  I first auditioned for a play in 2013, and received a challenging role in the play Marion Bridge by Daniel MacIvor (Horizon Players).  Having never been in this type of production before, it was trial by fire for me, and I learned so much from the ever patient director, cast mates, and crew!  This is my second role at Walterdale, having last done And Then The Lights Went Out by Andy Garland in 2014.
What has been the most challenging thing about doing this show? The most enjoyable thing? The thing I find most amazing and enjoyable about theatre is how quickly a cast/crew can bond, because we spend so much time together and because we are forced to be vulnerable and have trust that we will be accepted.  I have fallen in love with every team I’ve been a part of, and this one is definitely no different!  The most challenging part for me will be when we go our separate ways at the end of the run.

Introducing the Cast and Creative Team of FOLLIES!

CAST:6Follies
SALLY DURANT PLUMMER -Leslie Caffaro
PHYLLIS ROGERS STONE – Monica Roberts
BUDDY PLUMMER – Dustin Berube
BENJAMIN STONE – Gavin Belik
YOUNG SALLY – Tia Yakubowich
YOUNG PHYLLIS – Veronica Masik
YOUNG BUDDY – Allan Cabral de Sa
YOUNG BEN – Aidan Spila
CARLOTTA CAMPION – Kristen M. Finlay
STELLA DEEMS – Joyanne Rudiak
HATTIE WALKER – Karin Thomas
SOLANGE LAFITTE – Jackie Lotery
EMILY WHITMAN – Stacey Grubb
THEODORE WHITMAN – Kent Sutherland
HEIDI SCHILLER – Erin Foster-O’Riordan
DIMITRI WEISMANN/ROSCOE – Morgan Smith
KEVIN (waiter) – Aaron Schaan
Ensemble: Austin Kumar. Michael Watt, Aaron Schaan, Carol Chu, Alyssa Paterson, Stephanie Swensrude, Kayleigh Teatrault, Nadia Small, Christine Maydew

PRODUCTION TEAM
Director/Choreographer – Barbara Mah
Music Director – Michael Clark
Stage Manager – Phil Kreisel
Production Manager – MJ Kreisel
Assistant Choreographer – Christine Maydew
Costume Designer – Karin Lauderdale
Set Designer – David Folk
Lighting Designer – Brad Melrose
Properties Manager – Debbie Tyson
ASM – Danielle Szeponski
Set Builder – Richard Hatfield
ASM – Steven Sobolewski
Sound Designer – Marika Friesen
Live sound (mics) – Tim Friesen
Light Operator – John Anderson
Sound Operator – Christina O’Dell
Set Painter – Karlie Christie

Introducing the Cast and Creative Team of QUEEN MILLI OF GALT

4MilliCast:

Milli: Stephanie O’Neill
Edward: Owen Emblau
Mona: Lauren Tamke
Mrs. Milroy: Anne-Marie Smyth
Godfrey: Robert Klakowich

Production Team:

Liz Cook – Director
Paula Blanco Longa – Assistant Director
Anne Marie Szucs – Mentor Director
Laura Young – Stage Manager
Glenn Cook – Production Manager
Catherine Wenschlag – Mentor PM
Jim Herchak – Set Designer
Roy Jackson – Lighting Designer
Phil Kreisel – Sound Designer
Geri Dittrich – Costume Designer
Karin Lauderdale – Costume Ass’t/Assigned DoP
Alayna Hunchak – Props Master
Assistant Stage Manager – TBA
Lighting Operator – TBA
Sound Operator – TBA
Richard Hatfield – Master Builder
Joan Hawkins – Master Painter
Kimberly North – Assistant Painter

Meet the Cast of LADY WINDERMERE’S FAN – Miranda Broumas is Lady Windermere

1047556Who are you and what is your role in Lady Windermere’s Fan? My name is Miranda Broumas, and I’m playing Lady Windermere.

What is your background in theatre? At Walterdale? I took drama, advanced acting, and oral communication classes from junior high through post-secondary. In 2013, I retired from competitive and professional dance to focus my extracurricular efforts on theatre. 2016 roles include Lucy in Raine (New Works Festival 2016), Cunningham in The Last Days of Judas Iscariot (University of Alberta), and Dawn in Seven Lost Minutes (35th Annual Edmonton Fringe Festival). Lady Windermere’s Fan will be my first production at Walterdale Theatre.

What brought you out for this show? Why did you want to be a part of it? I’m a big fan of Oscar Wilde, a major nerd for Victorian literature, and I liked the challenge of learning a proper English accent. Lady Windermere is also a rather interesting character to play. She and I share distaste for egocentric and smug people, but we differ in that she holds very black-and-white views. Personal growth and maturity entail learning at least some level of elasticity, and it’s really fun to navigate that journey with her.

Why should audiences check out the show? Lady Windermere’s Fan brilliantly juxtaposes the amusing and the serious, putting a comedic and melodramatic twist on themes that everyone can relate to. If you’ve ever felt pressure to uphold reputation, save face, or create the illusion that everything is fine when it really isn’t; if you’ve ever witnessed hypocrisy, felt burdened by social mores and conformity, or faced social ostracism at school or work; if you’ve ever withheld information to protect someone you love, or experienced the joyous complexity of family and romantic relationships, then you’ll surely identify with a character or two. Plus, it’s written by Oscar Wilde…how could you miss it?

What has been the most fun part of working on the show? Among a host of other aspects, like our fantastic team, I’d say the costumes are a pretty fun part of the show. The play takes place at a time in history when manners and mannerisms were held to the highest standard – when folks scrutinized over every minute detail of their posture, breath, and physical interactions with others. When the ladies started rehearsing in corsets, long trains and character shoes, you could really see life breathed into our characters (while the oxygen was simultaneously pushed out of our lungs) – everybody’s spines straightened and upper lips stiffened just a bit more. It’s also pretty entertaining to see the gentlemen commit to period-appropriate facial hair.

Favourite Oscar Wilde quote: Some cause happiness wherever they go; others whenever they go.”

Meet the Cast of LADY WINDERMERE’S FAN – David Owen is Lord Augustus Lorton

david-owenWho: I am David Owen and I play Lord Augustus Lorton.

What is my background in theatre: I have a PhD in theatre and performance studies from York University, an MFA in Directing from the U of C, and an MA in Dramatic Theory and Criticism from the U of A. I am also a member of the Playwright’s Guild of Canada. At the Walterdale, I was the Artistic Director from 1999-2001 and directed Doctor Faustus and The Birthday Party. As an actor at the Walterdale, I was in The Grace of Mary Traverse, Jehanne of the Witches, and the one-act Enter the Giants.

What brought me out: I moved back to Edmonton last year and I wanted to audition for Glengarry Glen Ross but my schedule wouldn’t allow it. This year, finding myself back in Edmonton again and with a more forgiving schedule AND an Oscar Wilde show to try out for, I jumped at the chance! It feels great to be back.

Why should audiences come out: Who doesn’t like to laugh? Audiences should come see the show because it is ridiculously funny but also because it allows us to laugh at ourselves and at relationships and false appearances and societies pressures. These can all be very stressful at times, and taken too seriously, and we can all benefit from a playful critique of this “demmed thing we call society.”

The most fun thing: The outrageous accents!

The most challenging thing: The outrageous accents!

Favourite Wilde quote: “All women become like their mothers. That is their tragedy. No man does, and that is his.” Algernon, The Importance of Being Earnest.

Meet the Cast of LADY WINDERMERE’S FAN – Hannah Haugen is Lady Agatha Carlisle!

img_4068Who are you and what is your role in Lady Windermere’s Fan? My name is Hannah Haugen and in Lady Windermere’s Fan I play Lady Agatha Carlisle-the contained daughter of a Duchess and soft spoken young lady of the upper class. Agatha is a joy to play and a creative challenge with her limited and joyous dialogue.

What is your background in theatre? At Walterdale? I have been acting since nine years old and just graduated from Jasper Place High School as a very involved drama student. Over my time there I took part in lots of productions, the most recent as Emily Webb in Our Town. The past three years I have preformed on the Walterdale stage at the Zone 8 City One Act Festival in anything from Chekhov to MacIvor.

Why do you think audiences should come see the show? Lady Windermere’s Fan is a funny and vibrant piece that audiences will come to enjoy the aristocratic energy, classic humor and insightful moments on life and class. I personally love the ability of so many characters in this piece to house eccentricity and hilarity whilst never losing their realism or worth.

What has been most enjoyable part of the process so far? So far the most fun moments in rehearsal have been working with Leslie Caffaro who plays my Mother (The Duchess of Berrwick) as she pushes around her doting daughter with some serious style. Or the cupcakes at lasts week’s rehearsal, it’s a tie really. Either way Lady Windermere’s Fan will be a pulsing and comical production I hope to see lots and lots of people enjoy!

Meet the Cast of LADY WINDERMERE’S FAN by Oscar Wilde

2Lady's FanAuditions were completed this week for Lady Windermere’s Fan by Oscar Wilde, directed by Martin Stout.

We’re excited to welcome back many Walterdale members as well as welcome in several brand new ones!

Join us onstage in December for this witty piece from Oscar Wilde!

CAST:
Mrs. Erlynne – Marsha Amanova
Lady Windermere – Miranda Broumas
Duchess of Berwick – Leslie Caffaro
Mrs. Cowper-Cowper – Grace Chapman
Rosalie (Maid) – Emanuelle Dubbeldam
Lord Darlington – Dan Fessenden
Lady Agatha Carlisle – Hannah Haugen
Lady Plymdale – Brittany Hinse
Lord Windermere – Patrick Maloney
Parker (Butler) – Ed Medeiros
Mr Dumby – Andy Mikula
Mr Cecil Graham – Brayden O’Boyle
Lord Augustus Lorton – David Owen
Lady Stutfield – Roseanna Sargent
Mr Hopper – Craig Sephton

Lady Jedburgh – Samantha VandenBrink

Production Team:
Director – Martin Stout
Assistant Director – Madeleine Stout
Production Manager – Karin Lauderdale
Set Designer – Leland Stelck
Lighting Designer – Richard Hatfield
Costume Designer – Geri Dittrich
Props – Emily Randall
Master Builder – Pierre Valois
Master Painter – Joan Heys Hawkins

Introducing the Cast and Creative Team for RED by John Logan

1RedRed
By John Logan
Directed by Bethany Hughes
On Stage: October 12-22, 2016

John Logan’s Red follows the apprenticeship of Ken, a young painter, under the volatile and famous abstract expressionist Mark Rothko.  He mixes paint, runs errands, and clean s brushes, but he ends up being the audience for Rothko’s beliefs about art and the world.  When Rothko is commissioned to produced a grand piece of art, Ken turns the table of Rothko and his beliefs.

“There is only one thing I fear in life, my friend… One day the black will swallow the red.”

Cast:
Rothko – Mark Finlay
Ken – Ben Osgood

Creative Team:
Director – Bethany Hughes
Mentor Director – Sarah Van Tassel
Stage Manager – Anglia Redding
Production Manager – Catherine Wenschlag
Set Designer – Joan Hawkins
Light Designer – Brad Melrose
Sound Designer – Daniel Belland
Costume Designer – Geri Dittrich
Props Manager – TBA
Assistant Stage Manager – TBA
LX Operator – Laura Ly
Sound Operator – TBA
Master Builder – Alan Westen
Master Painter – TBA